Jerusalem In My Heart (JIMH) is a live audio-visual performance project, with Lebanese producer and musician Radwan Ghazi Moumneh and Montréal based filmmaker Erin Weisgerber at its core. JIMH is an immersive sonic and visual live experience, with an evolving effort to forge a modern experimental Arabic music wed to hand-made visuals using analog 16mm film at site-specific screen installations. Weisgerber manipulates the photographic, chemical, and material properties of 16mm film to transform the world framed through her camera, rendering rhythmic images that exist between figuration and abstraction, external vision and internal landscape. She performs 16mm film and audio loops live on multiple projectors.
Jerusalem In My Heart (JIMH) is a live audio-visual performance project, with Lebanese producer and musician Radwan Ghazi Moumneh and Montréal based filmmaker Erin Weisgerber at its core. JIMH is an immersive sonic and visual live experience, with an evolving effort to forge a modern experimental Arabic music wed to hand-made visuals using analog 16mm film at site-specific screen installations. Weisgerber manipulates the photographic, chemical, and material properties of 16mm film to transform the world framed through her camera, rendering rhythmic images that exist between figuration and abstraction, external vision and internal landscape. She performs 16mm film and audio loops live on multiple projectors.
In 2012, Moumneh began to reconceive JIMH as a recording project and live duo in which performances could be ‘repeated’, with an accompanying focus on analog film visuals. 16mm film loops and projections are an integral part of the JIMH aesthetic identity – still frames from these film materials are also used to generate the group’s album art and packaging.
Musically, JIMH is guided by Moumneh’s melding of ‘traditional’ melismatic singing (in Arabic) and buzuk playing, with modern deployments of modular synthesis, filter banks, power electronics, field recordings, etc. JIMH recordings intentionally pay homage to the blown-out distortions of historical Arabic cassette tape culture, processed through modern currents of electronic music. Moumneh’s lyrical themes are deeply expressive and rich in political and socio-cultural historical consciousness: “there is a heartfelt yearning and emotion that unifies” the work, writes The Wire; “stunning of-the-moment [music] that speaks to the intersection of the personal and political with supreme confidence” says AdHoc.
JIMH’s three full-length albums to date – all released on Montréal experimental music label Constellation – have variously appeared on year-end lists in such publications as The Quietus, The Wire, A Closer Listen, and others. The project has toured widely in Europe and Canada (with occasional forays into the USA) and has also performed several times in Beirut. JIMH has been a guest curator for Le Guess Who? Festival and Moumneh is also intensely active as an audio engineer and producer, with a long list of Montréal artists and albums to his credit, usually working out of the city’s legendary Hotel2Tango studio, where Moumneh is a co-owner. JIMH has also released a collaborative album with Suuns (on Secretly Canadian) and was featured in an installment of the Grapefruit Records subscription series.
Jerusalem In My Heart (JIMH) is a live audio-visual performance project, with Lebanese producer and musician Radwan Ghazi Moumneh and Montréal based filmmaker Erin Weisgerber at its core. JIMH is an immersive sonic and visual live experience, with an evolving effort to forge a modern experimental Arabic music wed to hand-made visuals using analog 16mm film at site-specific screen installations. Weisgerber manipulates the photographic, chemical, and material properties of 16mm film to transform the world framed through her camera, rendering rhythmic images that exist between figuration and abstraction, external vision and internal landscape. She performs 16mm film and audio loops live on multiple projectors.
Jerusalem In My Heart (JIMH) is a live audio-visual performance project, with Lebanese producer and musician Radwan Ghazi Moumneh and Montréal based filmmaker Erin Weisgerber at its core. JIMH is an immersive sonic and visual live experience, with an evolving effort to forge a modern experimental Arabic music wed to hand-made visuals using analog 16mm film at site-specific screen installations. Weisgerber manipulates the photographic, chemical, and material properties of 16mm film to transform the world framed through her camera, rendering rhythmic images that exist between figuration and abstraction, external vision and internal landscape. She performs 16mm film and audio loops live on multiple projectors.
In 2012, Moumneh began to reconceive JIMH as a recording project and live duo in which performances could be ‘repeated’, with an accompanying focus on analog film visuals. 16mm film loops and projections are an integral part of the JIMH aesthetic identity – still frames from these film materials are also used to generate the group’s album art and packaging.
Musically, JIMH is guided by Moumneh’s melding of ‘traditional’ melismatic singing (in Arabic) and buzuk playing, with modern deployments of modular synthesis, filter banks, power electronics, field recordings, etc. JIMH recordings intentionally pay homage to the blown-out distortions of historical Arabic cassette tape culture, processed through modern currents of electronic music. Moumneh’s lyrical themes are deeply expressive and rich in political and socio-cultural historical consciousness: “there is a heartfelt yearning and emotion that unifies” the work, writes The Wire; “stunning of-the-moment [music] that speaks to the intersection of the personal and political with supreme confidence” says AdHoc.
JIMH’s three full-length albums to date – all released on Montréal experimental music label Constellation – have variously appeared on year-end lists in such publications as The Quietus, The Wire, A Closer Listen, and others. The project has toured widely in Europe and Canada (with occasional forays into the USA) and has also performed several times in Beirut. JIMH has been a guest curator for Le Guess Who? Festival and Moumneh is also intensely active as an audio engineer and producer, with a long list of Montréal artists and albums to his credit, usually working out of the city’s legendary Hotel2Tango studio, where Moumneh is a co-owner. JIMH has also released a collaborative album with Suuns (on Secretly Canadian) and was featured in an installment of the Grapefruit Records subscription series.