Bureau 1 / Bureau 4 Digi 12″ on Soundcloud
 
“Bureau 1” on Spotify
“Bureau 4” on Spotify
 
“Bureau 1” on Apple Music
“Bureau 4” on Apple Music



The Bureau digital 12″ is a disorienting trip into the creative world of St-Hyacinthe, Québec producer William Jourdain, aka Automatisme. Moving between the ambient minimalism of side A and the fractured glitch of side B, Automatisme demonstrates his talent in crafting compelling and varied electronic compositions, as well as his ability to juxtapose sounds in a way that consistently manages to stretch the listener’s expectations.
 
“Bureau 1” feels like a distant soundscape fading in and out of reception, glitching intermittently with static and scattered bass pulses before fading into a gentle, washed-out rhythm. On the flip side, “Bureau 4” kicks in with a similar tonal wave but quickly moves into dynamic territory: with rapid-fire drum pads and samples pinballing across the first half of the track and eventually transitioning into an abstract yet deeply rhythmic zone, it’s a captivating example of Automatisme’s well-honed experimental electronics.


 


Automatisme
 
Transit



CST135    180gLP / DL     Out 24 August 2018


 


PREORDER HERE




Reclusive glitch artist and electronic music producer William Jourdain has been keeping busy since the release of his acclaimed 2016 debut Momentform Accumulations for Constellation under the moniker Automatisme. From his home studio in the Quebec town of Saint-Hyacinthe, alongside his day job at Fréquences (one of the country’s leading indie record stores), Jourdain has continued churning out quality tracks, adding to his excellent and formidable Bandcamp discography. The Post-Landscape collaboration with Erinome came out on Neologist in spring 2018 (alongside their re-release of the pre-Momentform album Automatisme 2) and the self-released E.T.I. Space, Transit Et Individu (Reshape & Restoration) from December 2017 demonstrated various evolutions in the post-Momentform trajectory. Rare Automatisme performances have included Inductive Prism VI (documented in a live recording) and MUTEK 2017 (documented in a live video premiered by MUTEK and Resident Advisor).
 
Building out his modular synthesis racks and amassing new field recordings, Jourdain has plunged Automatisme deeper into experimentation with Transit, his second full-length for Constellation. Once again the sonic material is all sourced from the field, with recordings captured in the forests and caves of rural Quebec, along with ex-urban “non-places”, and various waiting rooms. A simulacrum of what Jourdain calls “the architecture and landscape of supermodernity” is rendered through generative and probability-based digital patches, creating a partially randomized ecosystem for his soundworld to unfold.
 
The through-line on the Transit album is an oscillating tempo that rises and falls like a shifting heart rate or ocean waves or a warped clock – heightening attention to the micro-sampled glitch topography and white, pink and brown noise fields of these immersive, pointillist compositions. The pieces are never the same twice: Transit codifies one iteration of these exploratory and temporally unstable works, yielding a superb album of cerebral, enveloping, de-territorialized electronica that occupies a liminal space at the boundaries of ambient, glitch, dub and environmental sound. Thanks for listening.


Watch the video for “Bureau 1”

 


 
 
Praise for Automatisme’s 2016 album Momentform Accumulations:
 

“There’s a real sense of disorientation through awkward machine polyrhythms and softly grinding sampled abrasions. Amongst the complex patter of percussion are some brighter, dronier elements like the chill chord walls on ‘Simultaneite 3’ and the more looming murk on ‘Simultaneite 1’. Brilliant. It’s only his debut album too.” – Norman
 
“An enthralling electronic album.” – Musikansich
 
“An incredible and unrelenting album experience.” – Echoes And Dust

 
 

 

Photo: Marilyn Lamoureux

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