Last Ex
CST107      CD 180gLP MP3 FLAC

"Last Ex make instrumental music with a cinematic feel. Their songs, full of driving, motorik beats and textured, reverb-heavy guitar, weave dark, discomfiting atmospheres, and this debut album could have been released on horror movie soundtrack label, Death Waltz Recording Company. They’re a Canadian duo comprised of two members of excellent rock/pop/folk group Timber Timbre and the music, in fact, originates in a score for a horror film that Timber Timbre were working on but then abandoned. It’s an enjoybaly rich and off-kilter record that makes clever use of sound collage of tape manipulation (‘Girl Seizure’), strings (‘It’s Not Chris’) and drum sounds (‘Hotel Blues Returns’). One for all you David Lynch fans out there."

“Constellation stalwarts Do Make Say Think and Exhaust are reference points but it’s the redesigned krautrock of Tortoise that is most suitably comparable to Last Ex’s approach here. Groove, minimalism and disorder all have their place on this album. Occasional tracks, such as ‘Girl Seizure’ and ‘Cape Fear’, make obvious the project’s roots in soundtracking but then there’s the almost danceable opener ‘Hotel Blues’ and the 'Third' era Portishead art rock of ‘Resurrection Drive I’ to contend with. That’s without even mentioning album standout ‘Cite D’or’, which manages to sound a bit like Morricone, The Necks and mid-2000s Radiohead all at once… An absorbing listen, that manages to be both accessible and impenetrable and various points in its duration, let’s hope that there’s more to come from Last Ex.”
Drowned In Sound

EnregistreurExhaust   CD / LP / DL
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Goodbye Enemy Airship The Landlord Is DeadDo Make Say Think   CD / LP / DL
Do Make Say ThinkDo Make Say Think        CD / 2x180gLP / DL
ExhaustExhaust        CD / LP / DL

Last Ex is the new instrumental rock ensemble led by Simon Trottier and Olivier Fairfield, long active in Quebec's experimental/punk scene (viz. Fairfield's E-Tron Records), though the two are perhaps best known as core members of Timber Timbre, which spawned the Last Ex project.

When Timber Timbre’s ambient music for a horror film went unused back in 2012, Trottier and Fairfield began revisiting the sound palette they had built up for the soundtrack at Fairfield's studio in Hull, Quebec, expanding on their techniques and textures, adding drums, bass and various other instruments. The duo found that they had dug into some very fertile territory, writing additional songs throughout 2013 and bringing their obsessions with sound collage, tape-based music concrète and the BBC Radiophonic Workshop to bear on the cinematic lyricism of the initial widescreen guitar- and string-based material. Derived from the title of the abandoned film, Simon and Olivier dubbed their new project Last Ex.

Constellation knew nothing of this back story when the label received the Last Ex demos in spring 2014; we just heard a compelling, compact, coherent, highly evocative instrumental album that kept worming its way into our ears. By the tenth time someone in the office said "Let's play that Last Ex stuff again" – and everyone enthusiastically agreed – it was time to contact the band. This music belonged in the Constellation catalogue: an instrumental rock album of superb compositional and melodic sensibility, balancing minimalism and restraint with atmosphere and tone, bound by a refreshingly original approach to production.

Last Ex makes ample use of the electric guitar as both lead instrument and textural sound source, structuring most of the pieces around deliberate melodic and contrapuntal deployments of Spaghetti Western twang by Trottier, while distressing, degrading and redeploying those sonics through Fairfield’s analog tape-based manipulations. Elsewhere, haunting melodic leads are established via string arrangements courtesy Mika Posen, in a wide range of textures and treatments. Tight bursts of trap set rhythms played by Fairfield, and usually captured with just a couple of microphones, along with consistently excellent basslines laid down by both Simon and Olivier, propel the album and make this anything but an ambient listen. Taylor Kirk (also of Timber Timber) contributes additional guitar work on a couple of tracks.

With its combination of assured lyricism, cinematic guitars, dusky analog atmospherics and taut percussion, this is a vivid, concise and expressive instrumental album that sits snugly between fellow label acts Do Make Say Think and Exhaust on the one hand, Hrsta, Tindersticks and Evangelista on the other. Fans of early Trans Am, early/mid Tortoise, and Calexico should appreciate this as a very satisfying grower of an album as well.

Thanks for listening.

Release date: 14 October 2014
Running time: 40:00

Packaging notes
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve. LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve, credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.

1. Hotel Blues
2. Girl Seizure
3. Flûte magique
4. It’s Not Chris
5. Resurrection Drive Part I
6. Nell’s Theme
7. Trop tard
8. Cape Fear
9. Cité d’or
10. Hotel Blues Returns
11. Hotel Kiss

Olivier Fairfield: Drums, keys, sampler, tape manipulations, synthesizers, bass
Simon Trottier: Electric, acoustic and baritone guitar, bass, lapsteel, pedals, synthesizers

Taylor Kirk: Electric and baritone guitar (2, 6, 11), drums (6)
Mika Posen: Violin, Viola and Rabeca (1, 2, 4, 5, 6, 8)

Recorded by Olivier Fairfield in Hull, QC.
Mixed by Olivier Fairfield and Simon Trottier in Hull, QC.
Mastered by Harris Newman at Greymarket in Montreal, QC.

Artwork and cover photography by Taylor Kirk.