If He Dies, If If If If If If
CST114      CD 180gLP MP3 FLAC

"If He Dies, If If If If If If is a stunning, of-the-moment record that speaks to the intersection of the personal and political with supreme confidence."

"In this bold and emotionally charged collection, the eight settings alternate between vocal pieces featuring his melismatic Arabic singing and instrumentals rooted in expressive buzuk playing... The listener new to the project might expect such an unusual Arabic-electronic fusion to pose something of a challenge, but the forty-one-minute album's uncluttered arrangements, strong vocal melodies, and concision help make it eminently approachable."

"If He Dies... is not only the best iteration of Moumneh’s sound to date, it’s also the clearest showing of his motivations. Beyond continuing to combine distinctive sounds into song-written form, Moumneh is creating music far away from the West’s typecasting of it—transcendence, spirituality, prayer. Instead, Moumneh strikes with harsh textures, bracing instrumentation and an uncomfortably personal vocal performance. It’s “Ah Ya Mal El Sham,” a steadfast drone, that best captures this record as a literal body of work, one that trembles and shivers, one that treads paths, one that makes its process a part of its profundity. Among that foggy sustained ambience, the listener can hear not only the sounds of a flute, but the sounds of guest Dave Gossage playing it. It’s those subtle breaths, between the mouth and the music it makes, that remind me of “Amanem,” of Moumneh’s voice dangling off the edge. His work isn’t linear, nor is it easily understood—but it can be unfurled in its breathlessness, and it’s heard most clearly in the sound of fingers tackling their instruments."

“Riveting... It is a sombre and haunting work. Moumneh's voice (a beautiful, limitless instrument) and his buzuk (the lute-type instrument similar to the Greek bouzouki) playing underpin his flexing of Arab traditions. At its best – as on the closing Zasmar Sa7ar, where voice, buzuk, the sound of ocean waves and drone backing combine – it delivers a heady and oddly plaintive euphoria."
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• THE QUIETUS: #24 Album of 2015
• THE WIRE: #39 Album of 2015
• A CLOSER LISTEN: Top Ten Rock, Post-Rock, Folk & Jazz Albums of 2015

Radwan Ghazi Moumneh, alongside fellow Montreal artist Charles-André Coderre, returns with If He Dies, If If If If If If, a second full-length album from his acclaimed Jerusalem In My Heart (JIMH) project, conceived and recorded in his dual homes of Montréal and Beirut.

Known for his production and engineering work with artists as diverse as Matana Roberts (all three chapters of her Coin Coin recordings to date), Mashrou' Leila, Ought, Eric Chenaux (with whom he also released a collaborative album for the Grapefruit Records Club) and Suuns (with whom he also released a collaborative album on Secretly Canadian in spring 2015), Moumneh has been firing on all cylinders over the past few years. He has brought JIMH to mesmerized live audiences in Canada, Europe and the Middle East since the release of his first album in 2013, following many years during which the project was a strictly Montréal-based live/theatrical happening. While JIMH continues to expand to include a larger cast of players for select engagements and commissions, the group is currently an immersive and performative audio-visual duo at its core, with Moumneh responsible for all sound/composition and Coderre creating 16mm visuals and live projections/installations.

Moumneh expands his compositional palette on If He Dies, If If If If If If, exploring new deconstructions and juxtapositions of both traditional and popular Arab musical currents, with an album that oscillates between powerfully emotive vocal tunes and instrumental works that primarily make use of Radwan's expressive acoustic playing on buzuk as a point of departure. One of Moumneh's finest melismatic a cappella vocal performances opens the album, followed by the uncharacteristically literal-titled "A Granular Buzuk", where said instrument is processed, re-sampled and otherwise disrupted through Radwan's real-time custom signal patches. "7ebr El 3oyoun" follows with languidly plaintive vocals set against a gradually accelerating riff underpinned by hand percussion, and Side One closes with a scabrous white noise intervention wherein the entire audio mix is fed through a contact mic placed in Radwan's mouth. Moumneh continues to channel his love for Arabic pop and Casio/cassette culture on the silky lo-fi dance of "Lau Ridyou Bil Hijaz?" which opens Side Two, then pays homage to the until-recently-exiled Kurdish poet and singer Sivan Perwer on the traditional-minded, unadorned folk tune "Ta3mani; Ta3meitu". The album closes with a tour-de-force drone piece built from Bansuri flute (performed by guest player Dave Gossage) and a delicate acoustic number set against the sound of waves recorded on a beach in Lebanon. (Song titles employ the transliterative characters used in Arabic phone texting.)

Coderre's creation of the album artwork involved re-photographing images on 16mm film and then developing that film with bespoke chemical treatments of his own discovery and invention; the cover images result from this entirely hand-made and analog process. The album art is also an extension of the JIMH raison d'etre: the pursuit of innovative reciprocal relationships between celluloid film and live music performance, and the preservation of and experimentation with manual photographic methods and materials amidst a culture/tech industry that encourages the obsolescence of celluloid.

If He Dies, If If If If If If is an adventurous, scrupulous, impassioned and highly original work of modern contemporary Arabic music and a gratifying sign that Jerusalem In My Heart is situating itself in recorded works with the same thoughtful and dynamic intensity previously accessible only in live performances. (Needless to say, JIMH continues to be a must-see live act as well.)

Thanks for listening.

Release date: 04 September 2015
Running time: 40:47

Packaging notes
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve. LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve, credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.

1. Al Affaq, Lau Mat, Lau Lau Lau Lau Lau Lau
(The Hypocrite, If He Dies, If If If If If If)
2. A Granular Buzuk
3. 7ebr El 3oyoun (Ink From The Eyes)
4. Qala Li Kafa Kafa Kafa Kafa Kafa Kafa
(To Me He Said Enough Enough Enough Enough Enough Enough
5. Lau Ridyou Bil Hijaz (What If The Hijaz Was Enough?)
6. Ta3mani; Ta3meitu (He Fed Me; I Fed Him)
7. Ah Ya Mal El Sham (Oh The Money of Syria)
8. 2asmar Sa7ar (The Brown One Cast A Spell)

For English translations of lyrics, click here

Jerusalem In My Heart is Radwan Ghazi Moumneh (all music) and Charles-Andre Coderre (all visuals).

Pierre-Guy Blanchard – percussion (track 3)
David Gossage - flute (track 7)
Ian Ilavsky - guitar (track 3)
Liam O'Neill - beats (track 5)
Sharif Sehnaoui - prepared guitar (track 2)
Alexei Perry Cox - the ocean (track 8)

Recorded by Radwan Gahzi Moumneh. Mastering by Harris Newman at Greymarket.