Following the release of the digital 12″ Two From Trinity last month, Deadbeat & Camara are excited to present another new track from their forthcoming LP Trinity Thirty. The Berlin-based Canadian duo reshape the original Cowboy Junkies arrangement of “Working On A Building” into a tense, slow burn. A languid yet insistent bass line anchors hushed, spectral vocals from Monteith, Camara, and guest singer Caoimhe McAlister, while accents of plucked acoustic strings and snippets of mechanical sound harken back to its origins as a traditional work song. Listen to it now in advance of Trinity Thirty‘s release on 26 April:
 



 
 
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Trinity Thirty is a reinterpretation of the beloved Cowboy Junkies classic The Trinity Session, on the occasion of the album’s 30th anniversary. Berlin-based Canadian producers Deadbeat and Fatima Camara bonded over a shared love of this iconic album (and their shared small-town Ontario roots) and embarked on their first-ever collaboration. The Trinity Session is legendary for its naturalistic, languorous covers of classic tunes and traditional work songs – and for being recorded with a single microphone in single takes at a church in Toronto. While Deadbeat and Camara couldn’t entirely replicate this approach as a duo, they similarly re-recorded everything with single mics in a big open space at Berlin’s Chez Cherie studio, relying heavily on natural room acoustics, committed to raw first takes, guided by an overriding strategy of slowing down the tempos as far as they could while continuing to channel the warm asceticism of the original album. The result is a gorgeously somnambulant acoustic-meets-electronic collection of ‘covers of covers’, where the reference point is always the Junkies’ original approach, stretched to new and beguiling limits of deceleration and dubby narcotized spaciousness – a sensibility further reinforced by the mastering treatment of minimalist dub-techno legend Stefan Betke (~scape, Pole).
 
 


The first pressing of Trinity Thirty by Deadbeat & Camara is double 180gram audiophile vinyl pressed at Optimal (Germany) packaged in a wide spine jacket with artworked inner sleeves and a 12″x19″ poster, all printed on uncoated papers and boards, featuring original photography by Kieran Behan. The 2x180gLP edition includes a 320kbps MP3 download card.


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CD comes in a custom mini-gatefold jacket printed on uncoated 100% recycled paperboard, with an inner dust sleeve housing the disc.


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