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The second single from JOYFULTALK’s new album Plurality Trip, “Kill Scene” combines layers of modded synths and homemade electronics into a gem of a track that’s equal parts new age bliss and forward-thinking experimentation. Starting with a subtle, pulsating beat that builds into a rich landscape of drifting rhythms and insistent melodies, it’s a deeply immersive and captivating listen. Following up on “Monocult,” the acclaimed first offering from Plurality Trip, “Kill Scene” is a heady trip that solidifies JOYFULTALK’s place at the forefront of the new wave of electronic innovators.

Watch JOYFULTALK Perform “You Death March” Live in Crousetown, Nova Scotia



Drawing on their innovative use of homemade instruments and visual installations, the video for “You Death March” highlights JOYFULTALK’s immense creativity and the unique atmosphere they develop in their performances. Lucky fans in the UK and EU will be able to enjoy their enthralling live show this summer as JOYFULTALK embarks on a series of dates in early July:

03.07.18 Amsterdam, NL Sugarfactory
04.07.18 Hamburg, DE Molotow
06.07.18 Kutná Hora, CZ Creepee Teepee
07.07.18 Kutná Hora, CZ Creepee Teepee
10.07.18 Norwich, UK Waterfront Studio
11.07.18 Newcastle Upon Tyne, UK Cluny
13.07.18 London, UK Birthdays
14.07.18 Brighton, UK The Haunt
16.07.18 Birmingham, UK Hare and Hounds
17.07.18 Bristol, UK Fleece



Plurality Trip

CST133    180gLP / DL     Out 24 August 2018




The sonic landscapes conjured by JOYFULTALK reflect a curiosity; a tinkered lightfield of forward motion, a maniac’s grove. The brainchild of composer and instrument builder Jay Crocker, JOYFULTALK is without a doubt the most forward-thinking musical act to emerge from the rural outpost of Crousetown, Nova Scotia. Along with fellow Calgary transplant and multi-instrumentalist Shawn Dicey (Ox, Lab Coast), JOYFULTALK offers up instrumental compositions that flow like wordless rivers and glitching fields of electric grass, through a bric-a-brac vocabulary of handmade electronics. Their music channels a sonic regionalism influenced by the craggy treelines and babbling brooks of Lunenburg county, with gnarled jamscapes rendering natural spaces in a hazy parallel universe, navigating the astral plane by way of their rugged Maritime environs.
After a fabled career as an avant-improv regular and go-to homespun producer in Calgary throughout the early aughts, Crocker relocated to a grandiose, piecemeal residence tucked in the treeline along the Petite River in Crousetown, a blink-and-you-miss-it hamlet, with his family in 2011. Without a social outlet, economic stability, or any music community to partner with, Crocker began inventing his own musical partners (The Pink Dolphin, The Cheadle, etc.), a cast of modded synths and cobbled instruments to help realize his own stirring sense of creative unbalance. The resulting material became JOYFULTALK’s acclaimed 2016 debut full-length MUUIXX, released on the essential and adventurous Drip Audio label, which has been critically lauded for its unlikely Cluster-meets-RZA micro-grooves.
Following a smattering of high praise, various Canadian and European dates alongside acts such as Micachu & The Shapes and Holy Fuck, a couple of home plumbing jobs, some gnarly car repairs, the creation of the Planetary Scoring System (Crocker’s own conceptual scoring methodology) and the construction of BIBELOT (a custom-built, gallery-ready set of sixteen ceiling-mounted music boxes), listeners have been graced with Plurality Trip, the second offering from JOYFULTALK.
Plurality Trip is an extension and refinement of the project’s junkshop practices, drawing from contemporary dark trance and techno, while rooted in the outré swamps of krautrock and the refracted webs of noise and dub. Though heavier than its predecessor, the weight is never debilitating – Crocker and Dicey roam the shadows with rugged tones that reveal an expansive core. Pulled into a half-sped ghettotech mirage, woozy on new-age overdose, the listener may be lulled into a key-run reminiscent of Mahmoud Ahmed before eddying into a whirlpool of industrial jank. Heady and skitteringly kinetic, Plurality Trip unfolds like a fever dream shot through with dappled forest light and darkening skies. The result is a superbly idiosyncratic and invigorating take on avant-trance music with few comparisons. Thanks for listening.


“Dazzling originality” – Tiny Mix Tapes
MUUIXX will blow your fucking mind.” – Noisey
“One of Canada’s most exciting musical minds.” – Musicworks Magazine