Photo by Aaron Vansintjan

Photo: Aaron Vansintjan

 
Today we have the distinct pleasure of announcing the addition of Montreal art-punks Lungbutter to the Constellation roster. The trio make a snarly, roiling noise-rock that’s instantly engaging and smart as hell, and we’re honoured they’ve decided to throw in their lot with us. We’ll be releasing Lungbutter’s debut full-length Honey on May 31st. See below for more info on the album, and to hear first single “Flat White.”
 
 
CST143_Cover_1400px
 
Album art: Tommi Parrish

 


Lungbutter
 
Honey


CST143
180gLP / DL
Out 31 May 2019

 
TRACKLIST:
1. Honey
2. Solar
3. Vile
4. Flat White
5. Bravo
6. Henry Darger
7. Intrinsic
8. Maryland
9. Depanneur Sun
10. Curtain
11. Veneer


PREORDER HERE

 
 


Listen to “Flat White” on your platform of choice


 
Montréal trio Lungbutter serves up an exhilarating and relentless barrage of astringent noise-punk driven by the ferociously wide-screen tri-amped guitar squall of Kaity Zozula, the brawny pummel of Joni Sadler’s drums, and the wry subliminal/phenomenological sing-speak of vocalist Ky Brooks.

Brooks, Sadler and Zozula have all been mainstays of the vibrant experimental noise/rock community in the city for several years, having put in time as members of numerous bands including Femmaggots, Harsh Reality, Caymans, Nennen, Wreckage With Stick and Nag – as well as the Misery Loves Company tape label, La Plante collective, and the campus/community radio station CKUT. Lungbutter has been their main jam for a while, playing frequently in Montréal and with sporadic excursions to DIY spaces around eastern North America. Honey is their first full-length album, following the self-released Extractor cassette EP from 2014, which Big Takeover described as “thick neanderthal sludge, stream of consciousness yelps over lawnmower riffs, a dweeb-metal triumph” and Weird Canada praised as “confident, artful, intense”.

Lungbutter’s minimal guitar-drums-voice configuration is rooted in a visceral, ascetic punk idiom, refracted variously by free-noise, sludge rock and slowcore. Zozula marshals chaotic motifs of full-spectrum distorto-guitar, occupying a huge tonal space from low-end bass to paint-peeling treble, redolent of blown-out Melvins/Flipper fuzz and equally indebted to the frenetic dissonance of Keiji Haino or Merzbow (as in the thrilling passages of warped noise on “Solar” or “Veneer”). Song structures coalesce around guitar riffs of shifting tempos and the backbone of Sadler’s muscular, deliberate drums, while Brooks’ voice – at once mantric and declarative – deconstructs one brilliant lyrical theme after another, dancing along the knife-edge of dispassionate acerbic examination and wide-eyed cathartic revelation.

On Honey, live favourite “Vile” glories in a swampy martial stomp before lifting off into its propulsive, danceable stride. The slow burn of “Intrinsic” finds a doomy three-note pattern of guitar crud and slow, caustic vocal lines to build thick tension, careening towards explosive release punctuated by Brooks’ most impassioned and full-throated shouts. “Honey” and “Veneer” are both marked by guitar intros highlighting Zozula’s marvellously biting tone and technique, with buzzsaw static and freeform noise workouts prefacing the lurch into pounding primeval beats, the likes of which also drive standout tracks “Solar”, “Flat White” and “Dépanneur Sun”.

Honey is 33 minutes of satisfyingly searing, sharp-as-tacks, scum-tainted art-rock from one of the city’s finest and most uncompromising bands.

Thanks for listening.
 
 


PREORDER 180gLP FROM CONSTELLATION



PREORDER 180gLP FROM BANDCAMP

 
 

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