Vamp Ire Kanada 70

"Refusing to adhere to a strict aesthetic, Vamp Ire flows more like a meticulously curated compilation of quirky post-punk-era gems. Much like his work with Sandro Perri in Glissandro70 though, there's something irrevocably fresh and new, despite its open celebration of '70s and '80s aesthetics." – Exclaim

"'Ignore Dub' and 'Molle' showcase Kanada 70’s ability to go from serene, elongated stretches of atemporal drone to dissonant, fractured loops without losing aesthetic cohesion. Listen closely. This is music for the blood-sucking, for the unscrupulous extortionist, for the reanimated corpse." – Tiny Mix Tapes

"[Dunsmuir] takes a craftsman’s approach to his programming, merging inspiration with skillful technique… Strings, organic bass lines and bursts of guitar all give Vamp Ire the heft and heartbeat (songs like “Thumas” are joyous and lively enough to make hippies sway) to help the cold, synthetic beats thrive, but Dunsmuir still explores dark, icy minimal soundscapes to force any levity back to where it came. This record is not for the faint of heart, but heart is what the songs possess." – HeroHill

"The collection is quirky, uncompromising, and sparse. 'Molle' seems to draw inspiration from the sound of car engine trying to turn over, as that noisy, frustrating moment — or its sonic twin — is looped into an odd, groovy rhythm. 'Gnaer' features moves-like-Fripp guitar and a simple, small-kit drum arrangement. 'For T.O.' is digital and arrhythmic, with a burrowing synthesizer line and glitchy percussion." – The Muse In Music

"45 minutes of abstract, surprisingly melodic loop arrangements all punched in manually making it a very organic, human sort of album that carries the listener through a whole assortment of influences (Einstürzende Neubauten, Kraut Rock and Fela Kuti) while maintaining a completely original feel throughout." – Sound Color Vibration