Karolyn Keir

Photo: Karolyn Keir



Today Siskiyou shares “Unreal Erections /// Severed Heads,” the second advance track from their fourth LP Not Somewhere, which releases 17 May on Constellation. The song finds Siskiyou’s Colin Huebert weaving pensive, existential lyrics into layers of understated acoustic guitar and brushed drums before ascending into a rollicking vamp that juxtaposes the track’s weighty thematic reflection with buoyant, almost celebratory instrumentation. Listen now:


Hear “Unreal Erections /// Severed Heads” on your platform of choice


 



 
 

“Folk-y one moment, cacophonous the next, Not Somewhere is warm, haunting and impossible to absorb in just one listen. The vocals are loosely and lushly layered, pillows full of feathers coming apart at the seams. Horns flare up and fall away, acoustic guitars like open hearts and sunrises, a gentle brush of drums, cello and woodwinds that alternate between a whisper and a scream. It’s not easy to be a person right now, and Huebert captures that beautifully.” – CBC Music Spring 2019 Preview

 
 
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Siskiyou
 
Not Somewhere



CST142
180gLP / DL
Out 17 May 2019

 
TRACKLIST:
01. Stop Trying
02. What Ifs
03. Temporary Weakness
04. The End II /// Song Of Joy
05. Untitled 32 (live off of the land)
06. Dying Dying Dying /// Wake Wake Wake
07. Unreal Erections /// Severed Heads
08. Nothing Disease
09. Silhouette
10. Her Aim Is Tall
11. Stop Trying (jubilant reprise)
12. Unreal Erections /// Severed Heads (alternate outro)


Revisit the track “Stop Trying”



Siskiyou returns from a four-year hiatus with Not Somewhere, an album that finds band leader Colin Huebert (ex-Great Lake Swimmers) essentially in solo artist mode, writing and self-recording this new collection of tunes on his own, playing all the guitar, bass, keyboard and drum parts himself. Not Somewhere harkens back to Siskiyou’s magical and understated 2010 self-titled debut in this and other ways: the album’s production rekindles a homespun intimacy, where plain-spoken lyrics grapple with portraits of quiet quotidian despair, fragile existential horizon lines separating perseverance and defeatism, honest and unremarkable lives trapped in cultures of false consciousness, impossible desire, self-analysis and self-medication.
 
Following Siskiyou’s Polaris-nominated third full-length Nervous released in early 2015, Huebert was commissioned by New York-based artist/designer Stefan Sagmeister (of Sagmeister & Walsh) to write the theme song for The Happy Film, a feature-length movie accompaniment to “The Happy Show” installation project that had toured galleries in the mid-2010s – the art show and film themselves being ruminations on happiness that strongly echo Huebert’s own tone and sensibility. Sagmeister wanted the direct, unadorned aesthetic of early Siskiyou for the film music, leading Huebert to often write and record songs in the same day, in diaristic sketchbook form, without a thought towards the more ornate structures and developments of material he had just finished up with Nervous. This commission yielded the album’s title and the opening track “Stop Trying” (the eventual theme song for the movie) which includes a short looped clip of film dialogue repeating the line “trying is the problem; you’re trying to get somewhere as if you’re not somewhere”.
  
Huebert ended up with a dozen songs written under this influence, but shelved the recordings while real life took over: driven from Vancouver by skyrocketing rents and zombie capital that was increasingly leaving the city a shell of its former self, he relocated to Toronto with his young family. Returning to the material once resettled, Huebert finished up the record with contributions from various guest musicians on strings and horns (including cellist and labelmate Rebecca Foon from Saltland/Esmerine, and Destroyer regulars Joseph Shabason and JP Carter on horns and woodwinds). The result is a beautifully restrained and unvarnished song cycle of tunes anchored by acoustic guitar and brushed drumming, detailed with delicate textures, spartan melodic overdubs, and Huebert’s distinctively forthright, whisperingly confidential vocal delivery. From the austere Velvets-chug of “What Ifs” to the Elephant 6-inspired looseness of “Her Aim Is Tall” and “Stop Trying (jubilant reprise)” and the sparkling hush of atmospheric twilight folk-inflected pieces like “Temporary Weakness” and “Silhouette”, Not Somewhere is delicate and discreet yet wonderfully assured – a profoundly humble, wistfully observational and meditatively personal return for Huebert’s Siskiyou project.  Thanks for listening.
 

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Audiophile 180gram pressing in midnight ultra-black vinyl from Optimal (Germany) comes in a 20pt/420gsm jacket printed on uncoated 100% recycled paperboard, with 12×24 art print poster + 12×12 insert printed on uncoated paper + 320kbps MP3 download card.


PREORDER FROM CONSTELLATION

 
PREORDER FROM BANDCAMP

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