Coin Coin Chapter Three: river run thee
CST110 180gLP • CD • DL
Release Date: 03 February 2015
Roberts has long employed the phrase “panoramic sound quilting” to describe the process surrounding her Coin Coin work. The third chapter in her Coin Coin series finds Roberts implementing this metaphor most explicitly, constructing a sound art tapestry from field recordings, loop and effects pedals, and spoken word recitations, alongside her saxophone and singing voices. Coin Coin Chapter Three: river run thee could arguably be considered first and foremost a vocal work, and notwithstanding its experimental and esoteric structure, a deeply narrative work as well. Not unlike 2013’s Coin Coin Chapter Two: Mississippi Moonchile, the new chapter unfolds as an uninterrupted album-length flow, this time in what Roberts calls “a fever dream” of sonic material, woven in surrealist fashion. Fragments of traditional song act as the main touchstones on the album, with Roberts’ singing voice riding atop waves of radiophonic texture, layered spoken word and an often dislocated, wandering horn.
Working once again with engineer Radwan Ghazi Moumneh, and returning again to Montreal's Hotel2Tango studio (the location for her Chapter One recording in 2010), Roberts ran the river run thee tape back multiple times, adding new layers in real time, from start to finish (as opposed to calculated, isolated overdubs). The result is a visceral audio document that combines structure and improvisation in the fullest sense: not just in the playing and performing, but in the very marrow of the work's compositional DNA. It is also, for the first time in the Coin Coin cycle, a solo work, emerging from a lengthy solitary road trip Roberts took through the American South in early 2014, amassing historical and documentary information through interviews, site visits and field recordings.
Coin Coin Chapter Three: river run thee signals yet another highly adventurous and socially engaged definition of what Jazz can mean in this day and age, and a fascinating extension of the Coin Coin cycle, where rather than surfacing and reactivating through the group dynamics of a musical ensemble, history is inhaled and exhaled through a solitary practice seeking to evoke and echo its tangled thicket of febrile strands.
Thanks for listening.
LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve,
credit insert, 2 pull-out art posters and download code for 320 kbps MP3 copy of the album.
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve.
Recorded and mixed by Radwan Ghazi Moumneh at Hotel2Tango, Montreal.
Mastered by Harris Newman at Greymarket, Montreal.
Sound samples from #southernsojourn2014: a scaled-down field recording weave of Roberts' 25-day ramble in wintered Mississippi/Tennessee/Louisiana USA and a touch of a very chaotic New York City 21st century.
Also samples from:
Malcolm X, "Confronting White Oppression", Feb 14 1965, Ford Auditorium, Detroit, MI.
Gertrude, last name unknown, homeless and sweet, downtown Jackson, MS.
Captain G.L. Sullivan, "Dhow Chasing in Zanzibar Waters", 1873.
Public domain songs quoted throughout:
"Star Spangled Banner" - Francis Scott Key
"Beautiful Dreamer" - Stephen Foster
"The Pledge of Allegiance" - Mississippi State Senate
"My Country Tis of Thee" - Samuel Francis Smith
"Lift Ev'ry Voice and Sing" - James Weldon Johnson
"All the Pretty Horses" - unknown origin