Carla Bozulich / Evangelista

Carla Bozulich is an art-punk provocateur: a writer, producer, curator, interdisciplinary artist, sound designer and prolific musician with one of the most unique voices in any genre. Her work is lyrically rich, brutally raw and weirdly visionary.

"A landscape where Tom Waits and Michael Gira enjoy critical tongue-baths ought to make room for Carla" stated the NME, upon the release of her masterpiece solo album Boy in 2014. More recently, with the release of Quieter in 2018, Jes Skolnik wrote in a Bandcamp Daily feature: "Hopefully this gorgeous album, which deserves to have time spent with it in the same way all of Bozulich’s work does, will get her one step further to the centre of the conversation when it comes to lifetime achievement in the experimental world."

Alongside works released under her own name, Bozulich's trajectory with groups like Ethyl Meatplow, The Geraldine Fibbers, Scarnella and Evangelista charts a remarkable, diverse and truly sui generis arc of impassioned, challenging, authentic and adventurous experimental/punk-rock musics.

Born in New York City, she grew up a tomboy and girl protector in San Pedro, California. Carla’s first appearance on record is Gary Kail’s album from 1982 called Zurich 1916, on which she does dada-inspired worldplay, “you know, telephone and vacuum cleaner stuff”. She sang in a couple of groups – the Neon Veins and Invisible Chains, the latter of which recorded an album for The Minutemen’s New Alliance label when Carla was 18 years old.

Carla disappeared from daylight for a few years, re-emerged, and was soon causing traffic jams as the gamine howler in the confrontational sex/sound assault outfit Ethyl Meatplow. In 1993, before Ethyl’s last gasp, Carla founded Geraldine Fibbers, going on to record and tour incessantly with that band until 1998. Scarnella followed, a duo formed with Nels Cline, and a decidedly non-commercial, open, experimental project.

In 2001 she scored a Los Angeles production of Jean Genet’s The Maids and the award-winning feature film By Hook Or By Crook, which she also scored and for which she compiled the soundtrack, went to Sundance in 2003. That same year saw the release of Carla’s new rendition of Willie Nelson’s Red Headed Stranger — with Willie Nelson as a special guest. She has also explored mixed media and performance art, including a commission for The Getty Museum in Los Angeles and a series of site-specific installation and performance pieces under the name Eyes for Ears.

In 2005 Carla rekindled a decade-old connection with Montreal-based musicians affiliated with the Constellation label, leading to a recording at that city’s legendary Hotel2Tango studio, and the release of her Evangelista album on Constellation. Received with high critical praise, the record would find its way onto many year-end best lists, and lead to extensive touring around Europe and North America, including performances at the Festival International de Musique Actuelle de Victoriaville (Canada) and Bad Bonn Kilbi (Switzerland) among others.

In 2007, Evangelista became the official band name of Carla’s project, and her follow-up record for Constellation was once again recorded at the Hotel2Tango in Montreal, with core co-conspirators Tara Barnes and Shahzad Ismaily, and contributions from a large cast of Montreal-based musicians. The first record bearing Evangelista as a band name was called Hello, Voyager and came out in February 2008.

Subsequently, Evangelista landed on the cover of UK music magazine The Wire in June 2008, and Hello Voyager also made that and several other mags’ year-end lists. Bozulich/Evangelista continued to tour tirelessly in Europe and North America after the Hello Voyager release, including appearances at Le Weekend in Scotland and the Ruhrtriennale in Germany (with Carla in collaborative performance with Marianne Faithful and Marc Ribot).

By 2008, Evangelista had coalesced around a core trio, with Bozulich and bassist Tara Barnes joined by keyboardist/sound artist Dominic Cramp. Montreal sound-artist Lisa Gamble was also a regular contributor to Evangelista’s writing and recording, and occasionally joined the band on the road.

The spring of 2009 found Carla, Tara and Dominic in Montreal, once again recording at the Hotel2Tango studio where the previous two albums were made. Prince Of Truth was released in October 2009 and includes a wide cast of friends and guests, including Shahzad Ismaily, Ches Smith, Jessica Catron, Nels Cline, Devin Hoff and Montrealers Thierry Amar, Nadia Moss and Jonah Fortune. Evangelista's "alarmingly disconcerting" (The Quietus) third album, In Animal Tongue, "ranks among the most provocative work Bouzlich has done" (Tiny Mix Tapes) and was released in September 2011

More recently, Carla has stepped away from Evangelista to develop primarily solo work, though often om collaboration with and accompanied by multi-intrumentalist John Eichenseer (JHNO). Her self-described "pop" album Boy, was released to widespread critical acclaim in March 2014. A collection of orphaned collaborative tracks that had accumulated in recent years (featuring the likes of Marc Ribot, Sarah Lipstate, Shahzad Ismaily, Freddy Ruppert and more) was released under the title Quieter in spring 2018.

For a more comprehensive listing of Carla's less directly music-related artistic and creative work, visit her wiki.