Skullsplitter
CST112      CD 180gLP MP3 FLAC

Reviews
"Chenaux's combination of hacked music box guitar experimentation and lonely lounge crooning conjures a spell simply too enchanting to break... Skullsplitter dispatches the listener on a mission to crack the mysteries of time and space, and without offering much in the way of answers, its potential for repeat listens is enough of a reward. Skullsplitter is a triumph of post-modern songwriting, where decisions can be recast and repurposed to suit the needs of the present."
Exclaim

"Mesmerizing... Skullsplitter is an intriguing choice in title for this record, as it evokes the image and idea that Eric Chenaux is a man with two brains. At the very least, his two cranial hemispheres might be operating at the same time, but never in tandem. From the left side comes his voice, pure of tone and true; from the right, the wild and wondrous sounds Chenaux coaxes from his guitars. Left brain, ordered and logical. Right brain, experimental and original."
Quick Before It Melts

"In the field of avant guitar wrangling, Chenaux's style is genuinely distinctive...His latest is an(other) effortlessly lovely solo set that recalls John Martyn, Marc Ribot, Arthur Russell and the Hardanger fiddle tradition, as it weaves trippily between improve jazz, electronica, folk-drone and lounge balladry. Chenaux's pure, sweet voice soars along Chet Baker and Jeff Buckley lines and he's no lyrical slouch, although an instrumental interpretation of the Rodgers/hart classic "My Romance" is a highlight. More heartmelter than skullsplitter - but just as ruinous."
Uncut (March 2015 issue)

"[“Have I Lost My Eyes"] rolls out like a broken lullaby. Chenaux sings with hopes high in reunification – “We could try skydiving and watch the world uncurl” – drowned in a hole wicked enough to split skulls. The guitar work weeps in between verses and over a dial-tone-like metronome, with Chenaux pouring questions – “Have I lost my eyes?” – into an empty line deliberately taken off the hook."
Tiny Mix Tapes

"Though he's credited with vocals, guitars (electric, un-amplified electric, nylon-string), speakers, melodica, and electronics, the album's essence is constituted by the combination of his pure voice and idiosyncratic guitar playing. More precisely, his music derives its considerable impact from a striking juxtaposition: on the one hand, a crystal-clear voice that glides and soars, and on the other, guitar playing that never harmonically parallels the voice's trajectory but more diverges from it with oblique, semi-improvised lines. The two function like tributaries that flow in the same direction yet possess distinct shapes."
Textura

Guitar & VoiceEric Chenaux  CD / 180gLP / DL
CST088
Warm Weather With Ryan DriverEric ChenauxCD / 180gLP / DL
CST068
Sloppy GroundEric Chenaux   CD / 180gLP / DL
CST052
Dull LightsEric Chenaux   CD / 180gLP / DL
CST043

Description
Eric Chenaux has emerged as one of the most distinctive, innovative and original voices in what might be called avant-garde balladry, juxtaposing his gorgeously pure and open singing against a guitar sound and style that truly stands alone. Skullsplitter is the impressive new album that confirms Chenaux's singular aesthetic: genuine, natural, unaffected vocals gliding through slow, smoky melodies while electric and nylon-string guitars are deployed with adventurously experimental, dextrous, semi-improvisational technique and texture. Skullsplitter stands as a welcome and natural evolution from Chenaux's previous song-based album Guitar & Voice (2012), his first properly solo record for Constellation (i.e. made without guest musicians or collaborators), which was widely celebrated as his best work to date, championed by The Wire, Said The Gramophone, Stereophile and others for its unique sensibility and sensitivity. Skullsplitter builds on these strengths and similarly consists solely of Chenaux's voice and guitar.

When Eric plays guitar, his feet are as busy as his hands (though his hands can keep busy too, as heard on a number of wonderfully fried solos and instrumental excursions on the album); he is continually working his concise array of signal-bending devices – volume, wah and freeze pedals – with a remarkable and idiosyncratic fluidity that's integral to the expressivity he brings to the instrument. His voice is the calm center of this stormy micro-climate of bodily kinetics and woozy playing; indeed, "warm weather" is a metaphor Chenaux has used to describe his music in the past, and it seems ever more suitable as his sound evolves: his vocals are like a high pressure system, riding on clear bright air, stabilizing the roiling, changeable atmosphere of the guitars underneath. Skullsplitter is the apotheosis of this evolving tension between the two constituent elements of Chenaux's solo songcraft, where the guitar seems constantly in search of disruption or escape from an accompaniment role. Or perhaps more fittingly, it often sounds as if Chenaux's singing voice and the voice of the guitar just happen to be wandering through the same tune, with their own independent ideas of the route they'll be taking. Yet the songs remain surprisingly and almost effortlessly coherent, with a languorous groove; the album unfolds like a weirdly bubbling but warmly welcoming bath. Additional familiarity, for fans of the Chenaux songbook, might come from the (barely recognizable) re-interpretations of two 'old' songs, "Have I Lost My Eyes" and the album's title track itself.

Chenaux also has a long history of sonic experimentation through sound-art commissions and collaborations, with analog signal capture through natural oscillation and wave distortion, site-specificity and environmental sound. Working closely with his longtime recording engineer Radwan Ghazi Moumneh, Chenaux brings this experience to bear on the production side of Skullsplitter as well, with the use of physically swinging speakers and radical gating and panning to tease out further fluctuations in the barometer of the guitar sound. The result is a gem of an album in Chenaux's increasingly luminous discography.

Thanks for listening.

Release date: 17 February 2015
Running time: 42:06

Packaging notes
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve. LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve, credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.

Tracklist
1. Have I Lost My Eyes?
2. The Pouget
3. Skullsplitter
4. My Romance
5. Spring Has Been A Long Time Coming
6. The Henri Favourite
7. Poor Time
8. La Vieux Favori
9. Summer & Time

Credits
PERSONNEL
Eric Chenaux: Voice, electric guitar, un-amplified electric guitar, nylon-string guitar, speakers, melodica and electronics

Recorded at various locations and mixed at Hotel2Tango by Radwan Ghazi Moumneh. Additional engineering by Eric Chenaux and Cyril Harrison. Mastered by Harris Newman. Produced by Eric Chenaux, Radwan Ghazi Moumneh and Constellation.

All songs by Eric Chenaux except "My Romance" by Richard Rodgers and Lorenz Hart.