Deluxe 180gram vinyl pressing from Optimal (Germany) comes in a heavyweight 24pt jacket with black polylined audiophile dust sleeve, 12"x24" art print poster, 12"x12" art/credit insert and 320kbps MP3 download card.
CD comes in a 20pt mini-gatefold jacket printed on 100% recycled CCNB with matte UV varnish and a black inner dust sleeve for the disc.
01. Particles
02. Fractals (Truth 1)
03. Fractals (Truth 2)
04. Fractals (Truth 3)
05. Fractals (Truth 4)
Running time: 00:43:21
Deluxe 180gram vinyl pressing from Optimal (Germany) comes in a heavyweight 24pt jacket with black polylined audiophile dust sleeve, 12"x24" art print poster, 12"x12" art/credit insert and 320kbps MP3 download card.
CD comes in a 20pt mini-gatefold jacket printed on 100% recycled CCNB with matte UV varnish and a black inner dust sleeve for the disc.
"These long-form works allow the performer room to expand on her theme as she tangles and untangles melodies and phrases, allowing them to tumble like strings in space. The violin continues to be her main instrument, layered and looped, dancing between the speakers as if held aloft on gossamer threads...By the end of the album, Moss has woven seemingly disparate threads into a unified whole. Strong, dark melodies close the album, declarative and confident. The last ninety seconds introduce chant, underlining the album’s spiritual content. By the time the album ends, every knot has been undone. " – A Closer Listen
"A vital distillation of concentrated communal energy...There's a tense, disorienting quality to this turbulence, but Entanglement reaches out and rewards close listening with beauty that sticks with you." – Exclaim!
"Beautiful, powerful, moving, seductive." – Clash Music
"Arguably more recognisable for her work with Thee Silver Mt. Zion Memorial Orchestra, Canadian violinist and composer Jessica Moss also has a nifty line in creating solo works of stellar magnificence. Second album Entanglement is a journey through string-led soundscapes and unnerving electronica that renders the mind a bewitched mess. This utterly breathtaking piece of Classical genius is a must." – Ghost Cult
"Moss draws upon a prodigious range of influences: from post-rock and avant-klezmer to drones and loops reminiscent of post-minimalism. Impassioned, moody, and slow-burning, her compositions are some of the most compelling fare we have to anticipate this Fall." – Sequenza 21
"A haunting and unique solo artist. Purely, wordlessly spiritual. Her second full-length is built on the dancing, crying, soft timbres of her lissome, graceful, trepidatious violin, and a dreamlike (literally like from another life) voice, sensed more than heard, hanging in the stillness." – The Big Takeover
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