At The Cut
CST060      CD 180gLP MP3 FLAC

"[S]tartlingly inspiring... Vic Chesnutt makes another bold pronouncement of his artistic prowess with the soulful, stirring At the Cut."

"Torn, perplexed and wonderfully articulate."

"A raw, often uncomfortable, but deeply moving collection of bitter-sweet humour and pained exorcism."
The Skinny

“[Vic Chesnutt] is staring mortality in the eye, taking on existential themes with a pile of cultural references... The restraint of the musicians involved leaves Chesnutt's fragility at the center of the music and lends the album an air of refinement and wisdom.”

"At the Cut is populated by giant melodies, quiet meditations, and intense studies on mortality and memory. But, for all its bombast, At the Cut is probably most notable for Chesnutt's unwavering honesty and cathartic power... This is easily one of Vic Chesnutt's best records, and a standout album in a year filled with superb music."

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Vic’s first album for Constellation, North Star Deserter (2007), featured the members of Silver Mt. Zion and Fugazi’s Guy Picciotto. Together with Nadia Moss and Chad Jones, this same troupe reunited for At The Cut, and was again recorded by Howard Bilerman at Hotel2Tango in Montreal.

At The Cut picks up where North Star Deserter left off, with the explosive opening tune “Coward” displaying all the epic soaring thrust this band is capable of. From this bracing beginning, the album quickly changes temperature and temperament, settling into what is arguably the most intimate, pensive and heartbreaking work of Vic Chesnutt’s career. Cowardice, courage, mortality, tenacity, defiance, mourning and memory are its themes. Throughout the album, and even on the two tracks that blister and blast, there is a lyrical intimacy and directness, a searingly raw honesty to Vic’s voice and words, that finds no parallel in his body of work.

For an album so overtly shaped by ruminations on mortality, by a man from Georgia USA who certainly knew of what he sang, it is both refreshing and unbelievably heartwarming to hear how Vic sidesteps any of the obvious Southern Gothic tropes, lyrically and musically. No vaulted arches, gaping abysses or burning fields here – no ‘voicing’ of the preacher or the devil, no putting on airs. Vic managed to sing so authentically and wholeheartedly from and about his sense of place (the South, the wheelchair, 21st century America) because he refused to sentimentalise any of it. He railed against his personal fate without bitterness, without apology, with a sardonic and sometimes angry poetics of the passionately humanist and secular variety: wholly framed by the back porch, championing a humble wisdom, a sincere ethics (without moralising) and a natural literateness; certainly permitting a wisecrack or three, but never allowing for anything hackneyed or cornball or fake. At The Cut is a bona fide classic by a man who was better positioned than most to sing it strong and true.

He is missed.

Release date: 21 September 2009 (Europe), 22 September 2009 (rest of world)
Running time: 43:51

Packaging notes
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1. Coward
2. When The Bottom Fell Out
3. Chinaberry Tree
4. Chain
5. We Hovered With Short Wings
6. Philip Guston
7. Concord Country Jubilee
8. Flirted With You All My Life
9. It Is What It Is
10. Granny

Thierry Amar: contrabass
Vic Chesnutt: guitar/singing
Chad Jones: guitar
Efrim Menuk: guitar/keyboards/singing
Jessica Moss: violin/singing
Nadia Moss: organ/piano/singing
David Payant: drums/keyboard/singing
Guy Picciotto: guitar

Recorded at Hotel2Tango by Howard Bilerman, fall-winter 2008. Additional engineering by Thierry Amar, Efrim Menuck, Radwan Moumneh and Guy Picciotto. Mastered at Grey Market by Harris Newman.