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Off World
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Listen to our Sandro Perri playlist
CST117 180gLP • CD • DL
Release date: 07 September 2010
Duration: 35:12
Sandro Perri is one of Constellation’s most long-standing and artistically diverse music-makers. This celebrated Toronto-based composer, producer and songwriter first released albums of hissing, pulsing, longform instrumental work under the Polmo Polpo moniker in the early 2000s, before moving into tropicalia-, jazz- and prog-influenced vocal music under his own name (with forays into dub and afro-beat inflected experimentation via Glissandro 70).
Over the past couple of years, Perri has been letting us in on a fascinating treasure chest of strange and enchanting collaborative sound recordings – rich in deconstructed melody, interplay between acoustic and electronic instrumentation, and pointillist and aleatory composition techniques. A bounty of private and unreleased tracks has been accumulating for some time and we’re excited to reveal that many of these will now see the light of day, with three volumes of this material to be released over the next few seasons, rounded up under the project name Off World.
Chiefly a studio-based endeavour, Perri will be the first to insist that Off World is not “his” project: tracing its origins as far back as 2008, with Perri and fellow Torontonian Lorenz Peter (Processor, Corpusse) working together on tracks and very occasionally performing live, the project has expanded to encompass collaborations between Perri and many others, including producers Drew Brown (Lower Dens, Blonde Redhead, Beck), Susumu Mukai (Zongamin), M J Silver (Mickey Moonlight) and Craig Dunsmuir (Glissandro 70, Kanada 70), and musicians Jesse Zubot and Eric Chenaux.
Off World 1 is alien electronics played humanly, with real-world accents throughout. 1 was conceived almost entirely during a 2-day session in London: a meeting orchestrated by producer Drew Brown between himself, Perri, Susumu Mukai and M J Silver after learning that Perri was a huge fan of both Mukai and Silver’s work. A bounty of raw material featuring mostly vintage synthesizers – EMS Synthi, Syntorchestra, Prophet 5 – was later abetted by violin, banjo, harpsichord, guitar and piano. The result is genuinely exploratory and peculiar sui generis instrumental electronic music that sounds like it could have issued from any time in the past 40-50 years. Off World resists easy categorization: not ambient “easy listening”, not strictly “improvised”, not “retro” – but eccentrically absorbing and soothingly mischievous as it charts its own sonic trails.
Thanks for listening.
Over the past couple of years, Perri has been letting us in on a fascinating treasure chest of strange and enchanting collaborative sound recordings – rich in deconstructed melody, interplay between acoustic and electronic instrumentation, and pointillist and aleatory composition techniques. A bounty of private and unreleased tracks has been accumulating for some time and we’re excited to reveal that many of these will now see the light of day, with three volumes of this material to be released over the next few seasons, rounded up under the project name Off World.
Chiefly a studio-based endeavour, Perri will be the first to insist that Off World is not “his” project: tracing its origins as far back as 2008, with Perri and fellow Torontonian Lorenz Peter (Processor, Corpusse) working together on tracks and very occasionally performing live, the project has expanded to encompass collaborations between Perri and many others, including producers Drew Brown (Lower Dens, Blonde Redhead, Beck), Susumu Mukai (Zongamin), M J Silver (Mickey Moonlight) and Craig Dunsmuir (Glissandro 70, Kanada 70), and musicians Jesse Zubot and Eric Chenaux.
Off World 1 is alien electronics played humanly, with real-world accents throughout. 1 was conceived almost entirely during a 2-day session in London: a meeting orchestrated by producer Drew Brown between himself, Perri, Susumu Mukai and M J Silver after learning that Perri was a huge fan of both Mukai and Silver’s work. A bounty of raw material featuring mostly vintage synthesizers – EMS Synthi, Syntorchestra, Prophet 5 – was later abetted by violin, banjo, harpsichord, guitar and piano. The result is genuinely exploratory and peculiar sui generis instrumental electronic music that sounds like it could have issued from any time in the past 40-50 years. Off World resists easy categorization: not ambient “easy listening”, not strictly “improvised”, not “retro” – but eccentrically absorbing and soothingly mischievous as it charts its own sonic trails.
Thanks for listening.
PACKAGING NOTES
LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve,
credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.
credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve.
CREDITS
Drew Brown: Electronics
Susumu Mukai: Drum machine, electronics
Sandro Perri: Electronics, guitar, harpsichord, piano
MJ Silver: Drum machine
Mike Smith: Banjo
Jesse Zubot: Viola, violin
Andrew Zukerman: Electronics
Produced by Off World.
Recorded at The Hospital (London) and 6 Nassau (Toronto).
Engineers: Drew Brown, Sandro Perri.
Additional Production and Mix: Sandro Perri, MJ Silver (track 4).
Mastered by Rashad Becker at D&M.
Front cover painting: Karl Sirovy, Untitled (Kula na visokoj stijeni i opasani grad), 1927.
Back cover painting: Karl Sirovy, Untitled (Svetište na vrhu okomite ogradene staze), 1925.
Susumu Mukai: Drum machine, electronics
Sandro Perri: Electronics, guitar, harpsichord, piano
MJ Silver: Drum machine
Mike Smith: Banjo
Jesse Zubot: Viola, violin
Andrew Zukerman: Electronics
Produced by Off World.
Recorded at The Hospital (London) and 6 Nassau (Toronto).
Engineers: Drew Brown, Sandro Perri.
Additional Production and Mix: Sandro Perri, MJ Silver (track 4).
Mastered by Rashad Becker at D&M.
Front cover painting: Karl Sirovy, Untitled (Kula na visokoj stijeni i opasani grad), 1927.
Back cover painting: Karl Sirovy, Untitled (Svetište na vrhu okomite ogradene staze), 1925.