In Another Life
CST136      CD 180gLP MP3 FLAC
   
Reviews
"In Another Life is visionary in both content and form...This album comes seven years after Perri’s last solo LP, and In Another Life makes it sound like he’s spent every waking minute of that time crossed-legged on a mountaintop, contemplating his utopia. As he sings in verse after verse, hewing to a consistent melody and cadence, like a zen blues, this is a place where there is 'nothing to have, no reason to fight.' Where children can play after dark without worry; where intelligence and worth aren’t measured by typical tests; where there is 'no position, ladder, or pit.' Egos are fully sublimated. This is a place where album reviews and ranked lists are likely frowned upon too; 'What use grafting sport to art?' Perri asks, his voice oozing a calm, casual righteousness...There’s infinity—and tragedy—in this very long song. It doesn’t really rise or fall. Instead, it luxuriates in its own endlessness, like a koi pond encased in mirrors. For nearly half an hour, its low key throb acts as a cocoon from the outside world, from human nature, from the horrors of 2018."
Pitchfork (8.1)

"His outsider pop masterpiece. In Another Life is a glorious return for Perri, an album that sits just outside of pop music. Layered synth sequences, piano, a dream-weaving guitar and Perri's soothing voice all swirl around in a pool of enraptured bliss. Perri's poetic lyrics find him ruminating on possibilities yet unrealized in our current situation on this revolving, rotating sphere."
EXCLAIM (9/10)

"Across this expansive and cosmic piece, arguably his finest work to date, Perri muses on the possibilities of what can and cannot be: the complete divesting of one’s own ego...and the bittersweet melancholy of romanticized nostalgia...The bubbling swirls of minimalist synth, astral guitar moans, and glistening flashes of electronic squeaks and shimmers cements his place as our space age Arthur Russell."
Aquarium Drunkard 

"Sandro Perri is, in a certain way, the antithesis of what today's music consumer is looking for. In other words, his music demands patience, repeated listens, and total immersion...If you have the time and the desire to fully immerse yourself in what Sandro Perri is doing here, it's a trip well worth taking. With In Another Life, he's created a world that is truly his own but is warm and welcoming enough for everyone to visit."
PopMatters

"Across this expansive and cosmic piece, arguably his finest work to date, Perri muses on the possibilities of what can and cannot be: the complete divesting of one’s own ego...and the bittersweet melancholy of romanticized nostalgia...The bubbling swirls of minimalist synth, astral guitar moans, and glistening flashes of electronic squeaks and shimmers cements his place as our space age Arthur Russell."
Aquarium Drunkard

"In the frame of Perri’s career, In Another Life calls back to the pastoral touches of Tiny Mirrors (2007), trading “earthiness” for a more sophisticated (if restrained) instrumentation and execution, with a beatific demeanor where he would have previously been sensuous. While his earlier material felt driven by a desire to share its chilled vibes, the longer pieces Perri presents here are satisfied with tickling the unconscious; they don’t call attention unto themselves and are strangely more successful for that. In Another Life emerges as Perri’s most cohesive and concise work in terms of structure, form and content. The looped minimalism of Perri’s latest work links directly to Arthur Russell’s pristine ambient pop pieces. The delicate filigrees Perri builds and his unassuming delivery invite the comparison, maybe trying to summon Russell as one does in prayer, reciting simple litanies to beg for a saint’s intercession. Not that Perri hadn’t flirted with repetition and minimalism before — but he manages to invoke the essence of Russell to a remarkable extent. And that is no small feat. Serenity and temperance are peculiar words to use in praise of popular music, yet these are In Another Life’s most appealing features. Its greatest achievement entails the mindset it creates and invites the listener into. The album outlines a moment when the Canadian composer shifts his priorities and interests from pop songs to laterally-moving pieces – and that process overlaps with a distillation and refinement of his craft."
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"Visionary in both content and form." PITCHFORK 8.1
 
"His outsider pop masterpiece." EXCLAIM 9/10
 
"Arguably his finest work to date...cements his place as our space age Arthur Russell." AQUARIUM DRUNKARD
 
"Sandro Perri is, in a certain way, the antithesis of what today's music consumer is looking for. His music demands patience, repeated listens, and total immersion. It’s a trip well worth taking." POPMATTERS 8/10
 
"Perri’s most cohesive work. A distillation and refinement of his craft. Serenity and temperance are peculiar words to use in praise of popular music, yet these are In Another Life’s most appealing features. Its greatest achievement entails the mindset it creates and invites the listener into." TINYMIXTAPES
 
 
 


 
 
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Sandro Perri returns with In Another Life, his first new solo album since the acclaimed Impossible Spaces from 2011 (which garnered an 8.3 review, a Best New Track for "Changes" and Top 50 Albums of 2011 from Pitchfork, among many other accolades). Perri has been called “one of the most singular producers in contemporary music” (Boomkat) and his long affiliation with Constellation through various electronic and singer-songwriter guises (Polmo Polpo, Glissandro 70, Off World) has produced a uniquely adventurous and iconoclastic discography. In Another Life expands on this in peerless fashion.
 
The new album is what Perri describes as “an experiment in ‘infinite’ songwriting.” The title track is a 24-minute pop mantra for sequenced synth, piano, guitar and voice, progressing sideways rather than forward. A relaxed three-chord vamp runs the length of the album’s Side One, peppered with Sandro’s languid, lilting vocal and adorned with continually developing musical details – massaging the listener with the joys of repetition while defying stasis and monotony. Like the longer-form work of fellow-travellers Bill Callahan, Destroyer or Arthur Russell, Perri extends the notion of the meditative minimalist pop song to its literal maximum, flouting ‘commercial’ concerns in our streamingly short-attention-span era – and perhaps implicitly calling for a politics of slow consumption? The lyric of “In Another Life” suggests as much, moving through bemused critiques and equivocations about unrealized utopias, culminating with the final stanza: “Beyond the choice of create or destroy / inherit, steal, gift or employ / Fair is far too small a word we’d enjoy / In another life / So hold a promise no bigger than two hands / Hope scaled and re-read in human / And not reduced to a list of demands / In another life.”
 
Side Two of In Another Life features a similar approach, though in a distinct 3-part series: “Everybody’s Paris” begins with Perri on vocals, with the mic then handed over to André Ethier (The Deadly Snakes) and Dan Bejar (Destroyer) respectively, who each take a vocal turn singing lyrics of their own. Sandro calls this “a song-cycle designed to accept any lyrical variation fed into it: a fill-in-the-blanks questionnaire in the form of a song.” Of course “Everybody’s Paris” ends up being much more than this, with the evocative phrase of the song’s title serving as the lyrical tent pole and recurring refrain; an anchor point for signification and sentiment that intentionally belies the suggestion of anything prosaic or administrative about Perri’s formal conceit. In the hands of these three master lyricists and voices – and with Perri subtly reconfiguring the instrumentation and arrangements for each of the three parts – “Everybody’s Paris” emerges as a profound and fitting sibling (a set of triplet brothers?) to Side One’s ‘infinite’ title track.
 
The result is a gently yet enormously affecting album that basks thoughtfully and discerningly in a slow, sweet melancholia. In Another Life is a supremely listenable return to form for Sandro Perri, the music like a temporal analogue to a tender nature tableau registering slight changes under shifting light and a meditative gaze: at once appearing to signify only itself, while auguring the promise of harmonious life. Thanks for listening.
 

Packaging notes
Audiophile 180gram pressing in midnight ultra-black vinyl from Optimal (Germany) comes in a thick 24pt jacket with black paper polylined dust sleeve, 12"x24" poster, 12"x12" lyric sheet insert and 320kbps MP3 download card. Artwork by theblackrhino, Sandro Perri and Ian Ilavsky.
 
 
Tracklist
1. In Another Life
2. Everybody's Paris Pt I
3. Everybody's Paris Pt II (feat. Andre Ethier)
4. Everybody's Paris Pt III (feat. Dan Bejar)
 
Release date: 14 Sep 2018
Running time: 44:00
 
 
Credits

Written and arranged by Sandro Perri
 
“Everybody’s Paris” lyrics by Perri / Ethier / Bejar
 
Recorded and mixed at Sonology, The Dust Refinery & West Of Vinny’s, Toronto 2017-2018
 
Performance of “ABC” recorded by Vito Perri, Etobicoke 1978 with assistance by Gregorio Perri
 
Mastered by Harris Newman
 
"In Another Life"
Josh Cole - fretless bass
Thomas Hammerton - piano
Sandro Perri - guitar, Rhodes, synth, voice
 
"Everybody's Paris Pt I"
Maxime Chamoux - tin can
Thomas Hammerton - piano
Sandro Perri - bass, organ, Rhodes, synth, vocoder, voice
Mike Smith - synth
Ernie Tollar - soprano saxophone
Jesse Zubot - viola, violin
 
"Everybody's Paris Pt II (feat. Andre Ethier)"
Michael Davidson - vibraphone
Ryan Driver - flute
Andre Ethier - lyrics, voice
Karen Ng - soprano saxophone
Sandro Perri - congas, guitar, synth, vocoder
Mike Smith - bongos, triangle
 
"Everybody's Paris Pt III (feat. Dan Bejar)"
Dan Bejar - lyrics, voice
Josh Cole - fretless bass
Sandro Perri - guitar, harmonica, vocoder
Joseph Shabason - tenor saxophone
Mike Smith - Rhodes bass
Jesse Zubot - viola, violin