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Eric Chenaux
Sloppy Ground

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    CST052   180gLP • CD • DL

    Release date: 19 March 2008

    Duration: 47:12

     

    We have long been champions of the Eric Chenaux’s inimitable talents – as a songwriter, arranger and mind-bending guitarist – and this album should make these talents clear to any listener. This is a collection of beautifully fried love songs, highly original in compositional approach and instrumental texture, and utterly compelling in lyrical content and delivery. As Chenaux says, “the lyrics are more concerned with what love does rather than what it means…the time moving through these tunes is not one of the beginning of love or the end or heartbreak of love (though I love that stuff too) but more often in the middle (the working middle, the in-between)”.

    Chenaux has rallied some of Toronto’s finest ‘out’ players for Sloppy Ground, including Nick Fraser on drums, Ryan Driver on amplified melodica and synths, David Prentice on violin, Doug Tielli on 5-string banjo, Martin Arnold on electric tenor banjo, and Aimee Dawn Robinson on electric echo harp. Chenaux’s own guitar work has never been more thrillingly deployed in the context of (relatively) conventional songcraft. 


    PACKAGING NOTES

    LP is pressed on 180g audiophile vinyl and comes in a thick paperboard jacket with fold-out poster and lyrics insert. 

    CD comes in a custom paperboard mini-gatefold jacket with a printed CD dust sleeve and lyrics insert.
     

    CREDITS

    Eric Chenaux: electric guitar, 12 string guitarjo, lap steel, nylon string guitar, vocals
    Ryan Driver: melodica, synth
    Nick Fraser: drums
    David Prentice: violin
    Aimée Dawn Robinson: electric Echo harp
    Doug Tieli: 5-string banjo
    Thierry Amar: double bass
    Martin Arnold: electric tenor banjo


    Recorded by Jeff McMurrich at Hall Music, Toronto, November 2007.
    Additional recording by Efrim Menuck at Hotel2Tango, Montreal, December 2007.
    Mixed and mastered by Harris Newman at Grey Market, Montreal, December 2007.

    Gracious acknowledgment to the Ontario Arts Council for their assistance in making this recording.