When Eric plays guitar, his feet are as busy as his hands (though his hands can keep busy too, as heard on a number of wonderfully fried solos and instrumental excursions on the album); he is continually working his concise array of signal-bending devices – volume, wah and freeze pedals – with a remarkable and idiosyncratic fluidity that's integral to the expressivity he brings to the instrument. His voice is the calm center of this stormy micro-climate of bodily kinetics and woozy playing; indeed, "warm weather" is a metaphor Chenaux has used to describe his music in the past, and it seems ever more suitable as his sound evolves: his vocals are like a high pressure system, riding on clear bright air, stabilizing the roiling, changeable atmosphere of the guitars underneath. Skullsplitter is the apotheosis of this evolving tension between the two constituent elements of Chenaux's solo songcraft, where the guitar seems constantly in search of disruption or escape from an accompaniment role. Or perhaps more fittingly, it often sounds as if Chenaux's singing voice and the voice of the guitar just happen to be wandering through the same tune, with their own independent ideas of the route they'll be taking. Yet the songs remain surprisingly and almost effortlessly coherent, with a languorous groove; the album unfolds like a weirdly bubbling but warmly welcoming bath. Additional familiarity, for fans of the Chenaux songbook, might come from the (barely recognizable) re-interpretations of two 'old' songs, "Have I Lost My Eyes" and the album's title track itself.
Chenaux also has a long history of sonic experimentation through sound-art commissions and collaborations, with analog signal capture through natural oscillation and wave distortion, site-specificity and environmental sound. Working closely with his longtime recording engineer Radwan Ghazi Moumneh, Chenaux brings this experience to bear on the production side of Skullsplitter as well, with the use of physically swinging speakers and radical gating and panning to tease out further fluctuations in the barometer of the guitar sound. The result is a gem of an album in Chenaux's increasingly luminous discography.
Thanks for listening.
1. Have I Lost My Eyes?
2. The Pouget
4. My Romance
5. Spring Has Been A Long Time Coming
6. The Henri Favourite
7. Poor Time
8. La Vieux Favori
9. Summer & Time
Running time: 00:42:06
LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a heavyweight jacket with black poly-lined audiophile dust sleeve, credit insert, pull-out art poster and download code for 320 kbps MP3 copy of the album.
CD comes in a custom gatefold jacket printed on thick 24pt. paperboard with a printed CD dust sleeve.
Recorded at various locations and mixed at Hotel2Tango by Radwan Ghazi Moumneh. Additional engineering by Eric Chenaux and Cyril Harrison. Mastered by Harris Newman. Produced by Eric Chenaux, Radwan Ghazi Moumneh and Constellation.
All songs by Eric Chenaux except "My Romance" by Richard Rodgers and Lorenz Hart.