Those Who Walk Away is the project of Winnipeg-based composer Matthew Patton, which he describes as an "ever evolving working group of melodic constructivists." Patton is perhaps best known for his highly acclaimed (and Emmy Award-winning collaboration) Speaking In Tongues with the choreographer Paul Taylor, and has worked with Mikhail Baryshnikov, Guy Maddin and many others. He is also the curator of the Winnipeg Symphony Orchestra New Music Festival. The Infected Mass is the first of several works Patton intends to release as Those Who Walk Away.
The Infected Mass is a haunted and profoundly emotive requiem of minimalist composition that combines ghostly strings and choral voices with musique concrète; melodic passages rise and fall amidst rumbling and sibilant drones sourced from humming and whispering voices and the sound of human blood flow, punctuated by cockpit voice recordings of airplanes in distress.
Patton explains: "There is something very genuine and at the same time very wrong in what I am doing. The recordings are very disturbing; as we listen to these cockpit voice recordings, real people are about to die. I don't know why I am doing something that feels so wrong. But I am. This work is disturbingly personal for me. The music is filled with ghosts and artifacts I couldn't erase. It is filled to the saturation point with a pathology which infects everything, of decayed memories haunted by the ghost of my brother, who was killed in a plane crash."
The Infected Mass is a powerful work of contemporary sacral music, executed with elegiac beauty and restraint. Recorded in Winnipeg and Reykjavik, a quintet of Winnipeg-based string players combines with a quartet of Iceland Symphony Orchestra players (who've previously played on Sigur Rós, Jóhann Jóhannsson and Bedroom Community recordings) performing 'ghost strings' and 'ghost choir' for this Mass. Patton, as composer, arranger and producer, then obsessively sculpts these recordings with erasure techniques, seeking liminal and transcendent horizons of sonic materiality through absence, subtraction, silence and collapsing structure. An artistic statement of Morton Feldman's is a guiding principle for Patton: "Silence is my substitute for counterpoint. It’s like thinning out the music with turpentine."
The Infected Mass is available digitally and on deluxe 180gram audiophile vinyl and CD with original artwork by Neil Farber and Micheal Dumontier, alumni of the Royal Art Lodge in Winnipeg. Thanks for listening.
1 Before the Beginning
2 First Degraded Hymn
3 First Partially Recollected Conversation
4 Second Degraded Hymn
5 Second Partially Recollected Conversation
6 Third Degraded Hymn
7 After the End
Running time: 00:49:06
LP is pressed on 180 gram audiophile vinyl at Optimal (Germany) and comes in a heavyweight jacket printed on 100% recycled 24pt Orford paperboard with black poly-lined audiophile dust sleeve, with a 12-page 12"x12" art booklet featuring specially-commissioned artwork by Royal Art Lodge alumni Neil Farber and Michael Dumontier, and a download code for 320kbps MP3 copy of the album.
CD comes in a custom mini-gatefold jacket printed on thick 24pt. paperboard with matte UV varnish and a printed inner dust sleeve for the disc.
Composed, arranged and produced by Matthew Patton
Elation Pauls: violin
Anne Elise Lavallée: viola
Momoko Matsumura: viola
Minna Chung: cello
Travis Harrison: double bass
Una Sveinbjarnardóttir: ghost violin, ghost choir
Þórunn Ósk Marinósdóttir: ghost viola, ghost choir
Margrét Árnadóttir: ghost cello, ghost choir
Borgur Magnason: ghost double bass
Matthew Patton: samples, field recordings, processing
Recorded at The Greenhouse, Reykjavik, Iceland and at Private Ear, Winnipeg, Canada
Andy Rudolph: co-production, mixing, sound design (Winnipeg)
Paul Corley: sound design (Iceland)
John Paul Peters and Joel Mierau: recording engineers (Winnipeg)
Paul Evans: recording engineer (Iceland)
Mastered at Grey Market Mastering by Harris Newman
Artwork by Neil Farber and Michael Dumontier